Diary entries forAll Around Us
All Around Us
this film is like that pat on the back when you think you want to do things right and someone would say not everything can be right but you can always try
All Around Us
"๐ ๐ฐ๐ถโ๐ณ๐ฆ ๐ฎ๐ข๐ณ๐ณ๐ช๐ฆ๐ฅ, ๐ณ๐ช๐จ๐ฉ๐ต?โ โ๐๐ฏ๐ฆ๐ณ๐ต๐ช๐ข. ๐ ๐ฑ๐ข๐ช๐ฏ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ข๐ด๐ด. ๐๐ฉ๐ฆ ๐ด๐ข๐บ๐ด, โ๐๐ง ๐๐ตโ๐ด ๐ด๐ถ๐ค๐ฉ ๐ข ๐ฑ๐ข๐ช๐ฏ, ๐ธ๐ฉ๐บ ๐ฏ๐ฐ๐ต ๐ฅ๐ช๐ฆ?โโ โ๐๐ฐ๐ธ ๐ฅ๐ฐ ๐บ๐ฐ๐ถ ๐ข๐ฏ๐ด๐ธ๐ฆ๐ณ ๐ต๐ฐ ๐ต๐ฉ๐ข๐ต?โ โ๐๐บ๐ช๐ฏ๐จโ๐ด ๐ข ๐ฑ๐ข๐ช๐ฏ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ข๐ด๐ด.โ In these later Hashiguchi pictures, he embodies so much levity to life. The joys, the sorrows, and where he gave his 90โs teen characters so much room to become themselves, here he uses 2-to-1 cuts that allow us to stay level to his characters. Mis-en-scene + Ambience โ Character. And there are direct moments where specific scenes are then cut to a different time, to a characterโs face, to create a seamlessness in sentiment. Itโs about getting back on your feet. Itโs also about getting to your feet by means you wouldnโt think would work, but do. Itโs about falling in love with other peopleโs appreciations in the way they perceive the world, even if it isnโt the most profitable way in going about things. Sometimes those meager means of living really do say more than the money earned and shown. Perhaps Iโll always be poor in life but my goddamn heart on my sleeve will keep me from killing myself. I read somewhere that Thomas Bernhard said something along the lines of: โ๐๐บ ๐ค๐ฐ๐ฏ๐ด๐ต๐ข๐ฏ๐ต ๐ค๐ถ๐ณ๐ช๐ฐ๐ด๐ช๐ต๐บ ๐จ๐ฐ๐ต ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ธ๐ข๐บ ๐ฐ๐ง ๐ฎ๐บ ๐ด๐ถ๐ช๐ค๐ช๐ฅ๐ฆ.โ And maybe thatโs how Iโve always prevented myself from getting to the other side. Maybe, just maybe. โ๐ ๐ฐ๐ถ ๐ค๐ข๐ฏโ๐ต ๐ฌ๐ฏ๐ฐ๐ธ ๐ธ๐ฉ๐ข๐ต ๐จ๐ฐ๐ฆ๐ด ๐ฐ๐ฏ ๐ช๐ฏ ๐ข ๐ฑ๐ฆ๐ณ๐ด๐ฐ๐ฏโ๐ด ๐ฉ๐ฆ๐ข๐ณ๐ต.โ