Diary entries forI'm a Cyborg, But That's OK
I'm a Cyborg, But That's OK
This is my first Park Chan-wook film, and man, this did not disappoint! Lots of expressive shot composition and transitions - it's a visually stunning film with vibrant and warm colors (perfect for the season). It's also incredibly fucking bizarre and weird and funny! Really damn funny! At times it is confusing and unintelligible, but it's so damn fun to watch overall! I'd watch this again just for the vibes. It has a weirdly comforting feel to it at times, and the world that this film builds for itself is one I greatly enjoyed being in.
I'm a Cyborg, But That's OK
damn man, my mind always thinkin bout JYP when i see Rain istg
I'm a Cyborg, But That's OK
❝If only I had just one purpose of existence, too.❞ ❝We must carry on living through thick and thin.❞ 𐄁──── ｡ﾟ☆: *.☽ .* :☆ﾟ.────𐄁 Very strange but equally charming, I'm a Cyborg, But That's OK makes it clear that it's written and directed by Park Chan-wook. And while it's not quite my cup of tea, I still really liked the unique, almost dreamlike style of storytelling and the cold colour palette of the hospital. The visual effects are also very well executed, which allows the plot to flow pretty seamlessly. Im Soo-jung and Rain gave outstanding performances, with the latter especially surprising me because I'm more familiar with his songs rather than his acting career. So, overall, while it's not something I'd watch again, I think it's worth giving this film a go if you like surrealism or Park's other works.
I'm a Cyborg, But That's OK
This was brilliant. Just two people trusting each other. Very funny movie as well. The performances were brilliant.
I'm a Cyborg, But That's OK
— If only I had just one purpose of existence, too. I had no idea what to expect from I’m a Cyborg, But That’s OK, but I had a fantastic time watching it. There’s something very subtle and pure about it, along with the unique style associated with Park Chan-wook. Having seen some of his other films, I could see his style emerging in a fluid, natural way, which greatly benefited the story he wanted to tell. It became almost a surrealist film—or at least a fever dream. What captivated me most were the main characters and how the story itself doesn’t pigeonhole them. On the contrary, they grow and evolve as situations unfold, which is even more remarkable when we know that characters with psychological issues are often stigmatized. Here, Park treats them with maturity, great respect, and humanity. Furthermore, each of them has a distinct personality that goes far beyond what affects them psychologically, bringing realism even though the story has its moments of fantasy. My heart was filled with joy as I followed this story, keeping me fully engaged while I enjoyed the situations as they unfolded. I’m starting to think that Park Chan-wook doesn’t have a single bad film in his career…
