Eiblin

Good Time

English: Oneohtrix Point Never is a genius, the way he plays those analog synths is hypnotic and so pleasing to the ear. What a wonderful soundtrack. I was mesmerized by those beautiful arpeggios, full of color and constant tension. The nighttime cinematography, neon colors, and wide shots drew me in, including the long-distance drone shots of moving vehicles. Robert Pattinson delivers an amazing performance, but Benny Safdie, with his raw presence, steals scenes. I loved the final shot of Robert in the car. I can’t wait to watch Uncut Gems. P.S. It’s an intense and gripping film, solid all around, with great opening and closing scenes, and excellent lighting and camera work. --------------------------------------------------------------- Spanish: Oneohtrix Point Never es un crack con los sintes analógicos. Qué joya de soundtrack. Hipnótico. Me tenía anestesiado con esos hermosos arpegios llenos de color y de tensión constante. La fotografía nocturna, los colores neón y los encuadres amplios me fascinaron visualmente, incluyendo las tomas de los vehículos en movimiento con drones a larga distancia. Robert Pattinson hace un grandioso trabajo, pero siento que Benny Safdie con esa presencia más cruda y descontrolada se roba varias escenas. La toma final de Robert en el carro me encantó. Ya quiero ver Uncut Gems. PD: Es una película intensa y atrapante, sólida en todos los aspectos, con grandes escenas de apertura y cierre, y un gran trabajo de iluminación y movimiento de cámara.

grimmer

Good Time

Good time isn’t so much of a good time as it as a cluster of very unfortunate and misguided events. Its a pretty simple concept for a movie which works well with the high intensity it brings to the table. It's a fun watch despite all the trauma taking place. Good acting and a nice use of colour.

breakfastcowl

Good Time

Top-to-bottom indictment of everything -- awful time, horrible time, 4 stars. Guess I'll see Uncut Gems now.

joaomarco2003

Good Time

Revi 30 minutos na Globo Algumas coisas para se observar em revisões futuras: a postura claustrofóbica que a câmera assume, enclausurando os personagens naqueles espaços, não importa o quão amplo seja o ambiente; a noite e as luzes urbanas que comunica essa psicodelia da cidade que permanece desperta, consumindo os personagens em meio ao tempo que se esgota e as situações que se acumulam em cada transição da montagem, cada plano, cada composição...