Diary Entry forHere
Picture time bending and twisting before you, all from a single, unmoving point of view. That’s the vibe of this film. The camera holds steady, but the atmosphere shifts in strange, almost surreal ways, with time flowing unpredictably. The plot may not pack much punch, but the way the film is structured tells its own kind of tale.
Other Diary Entries forHere
Here
eu quase chorei, minha mãe achou mais ou menos e meu pai dormiu, mas os idosos da sessão riram mt! (apesar de não terem desligado o celular)
Here
POV: You're a cctv. Here are the one of my anticipated movie this year and i had a BIG expectation for this. But i don't know it seems off, the jumpy timeline, the editing, the movie seems so flat and making me confused af. It's a good movie (for sleeping) i had the good sleep while watching this. If they're shooting this in my house, this movie could be a horror movie.
Here
Here no es exactamente un viaje en el tiempo, sino un rompecabezas emocional en el que las piezas se van revelando poco a poco tanto para Zemeckis como para el espectador. La idea de situar la cámara como un punto fijo dentro de una casa es un recurso visual poderoso: convierte el espacio en testigo mudo de los recuerdos, permitiendo que los momentos íntimos y cotidianos se acumulen hasta formar una memoria compartida. El problema es que ese ingenioso planteamiento formal a veces abruma, distrayendo de la carga emocional que late en el centro de la historia. Here termina siendo una película hermosa pero fallida, un experimento que deja tanto admiración como frustración. Aun así, resulta valioso ver a un veterano como Robert Zemeckis arriesgarse, tres décadas después de su momento de mayor esplendor, a buscar nuevas formas de narrar y a recordarnos que el cine también es un juego de perspectiva, tiempo y memoria.
Here
Millennium-spanning (we're talking a few of those), ridiculously sappy, sugary and kinda quintessential (?) melodrama from the all-american nostalgia sentient Robert Zemeckis. Here he takes this equally deranged as it is innovative idea of an ever-changing and dysfunctionally transitioning timeline of one's home through the different eras and eras, and filming it from one stationary perspective: the corner of the living room. For a film that briefly features the wipeout of dinosaurs and then forty minutes later has Tom Hanks in a Benjamin Franklin costume at a halloween party, it's hard not to feel exhausted by this one of a kind experience. If you want weird performances all around, gross de-aging gloss (never looked better), and characters hitting carpet and getting knocked out via visual fx, then Here—a movie that's mostly just Tom Hanks cycling through his wig collection—is a goddamn must-see. One of the most sentimental films ever made—and that's a good thing. Felt like I was watching a pretty good stage-play.
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